La Garma cave: a time capsule

This cave is located on La Garma Mountain, 5 km East from the Santander Bay, Spain. It is divided into various levels and was used since the Middle Paleolithic by hunter-gatherer groups. The oldest evidences of human presence in La Garma are dated into the Mousterian period, with many lithic objects and related fauna remains of c. 70-80 Ka. A hearth from the Mousterian was also identified. However, the most spectacular archeological finds correspond to the Upper Paleolithic, particularly in the period between 36-16 Ka around the Last Glacial Maximum. In total more than 200,000 objects related to human presence were recovered from La Garma.

Monte La Garma

La Garma. Photo: hechohistorico.com.ar

  • The upper hall (‘La Garma A’) shows Mousterian, Aurignacian and Magdalenian presence with human burial sites, spear points and one harpoon. A cervical vertebra of a rhino dated to 400 Ka was published in 2015.
  • The intermediate level (‘Galería Intermedia’) has a large number of paleontological remains, mainly bones. It also contains four series of red disks painted over stalagmite pillars from the Magdalenian.
  • The most important remains are on the Lower Gallery (‘Galería Inferior’), where three intact areas contain many examples of archeological remains, objects and rock art. Some 13,000 years ago a collapse blocked the lower level entry and locked out the cave like a time capsule: the floor remained exactly as it was, covered by bones, pieces of flint, and other objects left by Magdalenian humans. The cave was over 300 meters long, with huts, paintings, engravings and archeological remains on the surface of the cave floor.
La Garma Magdalenian floor

La Garma. Magdalenian floor. Photo: hechohistorico.com.ar

The Lower Gallery

This gallery is huge (535 m2) and is full of remains of habitational, industrial and artistic use. Many objects of great scientific and archeological interest were found in the lower level.

A row of stones formed a kind of ring next to the west cave wall, marking a structure about 130 meters from the entrance. This stone wall must have served to prop wooden poles or branches, where it was tied and supported a fur envelope of animal skins, creating a space within the cave, a kind of hut. Stalagmites that are grown over the stones show how old the structure is.

La Garma Hut structure in zone 1

La Garma. Hut structure in zone 1. Photo: Roberto Sáez

Outside the wall of the structure, waste material was accumulated: bones (mandibles, a horse skull), flint objects, needles, a pendant decorated with geometric patterns, a neck with sea shells… Many artistic objects have been found at this level.

What’s new in the Lower Gallery! 

Nine distal phalanxes of cave lions (Panthera spelaea) found at zone 4 of the Lower Gallery were analysed. The bones indicates a patterned modification due to precise cuts at the distal interphalangeal joint, for the disarticulation of both phalanxes. This requires reiterate action and experienced human skills, which are also used today by modern hunters when skinning their prey, when the aim is to keep the claws attached to the fur. This evidence, together with the absence of other lion bones and the spatial distribution, may suggest a cave lion skin extended as a structure cover.

This is the latest evidence of cave lion exploitation in the Iberian Peninsula 14,800 years ago. The association of this evidence with the ritual activities and the human structures at zone 4, may provide an explanation to cave lion extinction during the Late Pleistocene.

Cave lion La Garma

Cave lion distal phalanxes from the Lower Gallery of La Garma. Photo: Cueto M et al [1]

The portable art of La Garma’s lower level

Some remarkable examples of portable art are four perforated batons, spatulas, awls, spear points, many decorated lithic tools and mollusk shells. Four objects are outstanding works of the Paleolithic portable art:

  • A spatula decorated with the figure of a ibex was found next to the cave wall. It was made from an aurochs or bison rib, and its curved, sharpened end clearly shows signs of its use. It was decorated with ochre which remained incrusted in the small angled fissures. In the upper part, an ibex is represented on both sides of the spatula in a true display of the Magdalenian artistic skill.
  • A shaped cut out made from a horse hyoid bone. The artist was able to structure an ibex head on this material, and then work on both sides to sketch the anatomical details of the animal, like the beard, snout, nostrils, eyes and ridges of the horns.
  • The incisor of a horse sharpened, scrapped, polished and decorated with a glacially graved horse’s head.
La Garma. Portable art

La Garma. Portable art. Photo: Roberto Sáez

The rock art of La Garma’s lower level

The total number of animal figures is over 60: bison, horse, goat, deer, aurochs, giant deer and one mask painted on rock relief which remembers those from other Cantabrian caves (Altamira, El Castillo).

From the Gravetian (25-19 Ka) there are 43 hands painted in negative. From the Solutrean and Magdalenian (19 to 13 Ka) there are some paintings of aurochs, goat, giant deer and bison.

Around the hut structure in zone 1 we can see a spectacular panel:

  • At first sight some red signs can me made out.
  • On the one side there are some dots and a grill-shaped sign.
  • In a more interior area, a bison is represented using the shape and volume of the roof.
  • Another one is seen on the front, with its head, horns and eye represented in profile.
  • Excellent fine engravings are decorating the roof of the hut. In one sector, the head, back and belly of an elegant bison were drawn, with fine lines represented the animal shape and coat.
  • Very near, beneath the body of a deer, a well-defined horse’s head can be seen, framed by engravings depicting the long hair of its neck.
  • Horses are in fact the most common animal represented on this part of the cave: in another sector of the roof, the full outline is magnificently drawn with fine repeated lines, above which a further silhouette of a horse was depicted more simply.
La Garma. Engravings

La Garma. Engravings. Photo: Roberto Sáez

[1] Reference and image credit: Cueto M, Camarós E, Castaños P, Ontañón R, Arias P (2016) Under the Skin of a Lion: Unique Evidence of Upper Paleolithic Exploitation and Use of Cave Lion (Panthera spelaea) from the Lower Gallery of La Garma (Spain). PLoS ONE 11(10): e0163591. doi:10.1371/journal.pone.0163591 [link]

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